| T-Wrecks - The Second Demo CD [T-Wrecks] |
![]() Tracklist: 01. Live Your Life Right 02. Whats Your Ambition? 03. Conclusion 04. Winter Seasons 05. This Ain't That Kinda Place 06. Destination 07. Hip Hop 08. Mad World (Pt. I) 09. Mad Universe (Pt. II) 10. Back To The Days 11. Overseas 12. Blank 13. Bonus (Jadakiss Beat) 14. Bonus (Mobb Deep Beat) |
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Review
So is T-Wrecks true to the words he has expressed, well yes. He has put together
this 14 track demo which in places is absolutely storming and all through points
to a load of potential and a burning desire to get his thoughts expressed. For
someone so young he has formulated some clear opinions and has not been tainted
with all the American ideals of bling. He has a youngsters desire to put the
world to rights and a naive belief he can help to make it happen. I like this as
it reminds me of many of the opinions I formed at school. Despite this he has a
realistic approach and is obviously very modest.
Live Your Life Right is a great track to start off the demo with as it
has all the right elements. Great production with a sped up vocal sample which
sounds great when linked up with the guitar and throbbing beat. T-Wrecks sets
the verse alight with his intelligent verses in which he breaks down his version
of the commandments and how one should act and interact with others. If only
everyone was on the same wavelength as this guy then the world would run a great
deal smoother.
Whats Your Ambition? flips up the same Godfather riff that
Braintax flipped for his Taxation track back in 1997 to be followed by so many
other acts as well. Regardless this flute type version that T-Wrecks has used
has a very different feel and with the addition of his own bassline and
celestial washes is something original. The title is descriptive of the lyrical
content as T-Wrecks lets you know what his plans are for the future.
For Conclusion T-Wrecks spits a slower flow over a strings based
composition and shows his versatility both as an MC and as a producer. All the
tracks sound really well put together and well mastered. Winter Seasons
shows just these skills with a fat beat that could pop your speakers and a
simple piano sample well looped with just the right amount of hiss and crackle
to make it sound authentic. Just at this time of year we are all feeling the
winter weather and can probably empathise with the sentiments T-Wrecks express
on this, showing that he can rock a topic and not only that he can flip a
subject and make it interesting when many other people would dismiss it.
This Ain't That Kinda Place unites a mad church organ loop with a
more tongue twister type flow. Being both the producer and the MC T-Wrecks is
able to put together music which suits his style. Destination is a large
production which with its stabs and clever working of an Apache guitar make for
a heavy bumper with a great deal of energy and raw skills. T-Wrecks' ear for a
sample is well developed and the way he constructs a track would put many to
shame. Hip Hop shows these qualities and the production is that hard
thing to master: A sparse production that still sounds good. The Drums are tight
and the piano loop is sublime.
Mad World seems to have received numerous remixes over the past year, but
T-Wrecks version could stand up with any of them. As with his other productions
that have used familiar sounds he still makes them work his way, however this
one is a bit less different than some. T-Wrecks even has enough confidence to
tackle a sung chorus and all in his Mad World (Pt. I) package is quite
impressive. Mad Universe (Pt. II) is a follow on track which ups the
tempo. The beats sounds a bit manic and not as musical when compared to the other
tracks on here and didn't immediately connect with me. The lyrics are heavy
Matrix type fantastic imaginings and as such could work better for me over
another backing.
On Back To The Days T-Wrecks explores depression and is able to
reminisce on worse times when he used to get low. Flutes, Guitars and everything
else is conjoined to form a cohesive whole. Altogether this is very down-beat
and melancholy song which verges on being depressing although the main theme is
to keep ones head held high. Overseas is another piano laced track and is
one of T-Wrecks more personal tracks where he describes certain
situations and how he can be paranoid like his life is being played out like the
Truman Show. Blank, is the final track over his own production and rounds
off the mini LP in a laid back style of defiance even though T-Wrecks has
various pressures upon him and again delivers some lyrics which expose a mind of
someone freaking with all that is going on around them.
T-Wrecks seems to have so many lyrics he can't keep up production wise and for
the last couple of tracks he has chosen to get busy over some of his current
favourite beats (Mobb Deep & Jadakiss). This will of course save himself some time and is a way to
quickly get more material demonstrating his skills out there. Additionally it
gives you an idea of how he sounds over really professional production (there
isn't much difference in terms of sonic quality to be honest) and
additionally he can draw on the energy of the beats and drop his lines with more
enthusiasm.
Initially I had thought that T-Wrecks' rapping delivery was in places a bit subdued and
lacking in raw energy which I put down to probably his age and level of experience, but on
repeated listens I think that this was an unfair first impression. T-Wrecks can
be a bit introspective and can sound like he has his head down a bit. I have
heard this before and I am sure it is something that will be overcome with more
practise and polishing of his skills. Conversely when he hypes it up a touch he
can occasionally stumble over his wordsBut overall I was very impressed,
especially for someone who is 16, but even at any age I would have been
impressed.
Overall, this, more than being the complete finished product it is a positive
stepping stone in the development of the artist. T-Wrecks is obviously a
talented all rounder who is prepared to put in the work and provided he stick
with it we could be hearing more from him in the future...
| Intro |
Early Doors: 1979-1985 |
False Dawn: 1985-1990 |
Underground Years: 1990-1995 |
The Renaissance: 1995- 2000 |
The Future: 2000 & Beyond |
Artists & Discographies |
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Send all comments, suggestions, & questions
to: (QED) |
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