![Jin [Virgin]](../images/jin.jpg) |
The main artery of New York City’s
Chinatown neighbourhood is Canal Street, and on a sweltering summer day like
this, it’s easy to lose yourself in the constant traffic of bodies pushing
their way along the sidewalk. There are long-time Chinatown merchants
alongside newly immigrated ones, each looking for their piece of the
American Dream. There are wide-eyed tourists craning their necks to see the
tips of the city’s skyscrapers, thinking privately of their own high hopes.
There are also tough young New Yorkers from every borough who have come for
cheap eats and electronics. And, somewhere in the mix, bubbling up from the
underground, there is a 21-year-old Ruff Ryder named Jin. In a sense, he is
all of these people, but clearly stands out among them.
By now, the details of Jin’s rise in music circles are part of hip-hop lore:
an unknown Chinese-American kid with a cocky smirk and nasty rhyme skills
blazes through the competition on a series of weekly battles on cable
channel BET, earning himself a record deal and a spot on the Ruff Ryders
squad. But what distinguishes Jin (born Jin Au-Yeung) as an MC isn’t his
fast ascent to the top. It isn’t the fact he was the only Asian-American out
of hundreds of would-be MCs vying for a spot on the show. Rather, it’s Jin’s
spirited creativity and unique experiences he brings to the mic. Simply put,
Jin’s got skills. If you don’t believe it, just witness his Ruff Ryders/Virgin
debut album, THE REST IS HISTORY. But more about that later…
The son of Chinese immigrants, Jin was born and raised in Miami, Florida.
“(My parents) did the restaurant thing, but unfortunately if didn’t really
take off (like) how they show it on TV. The American Dream – it’s not even
about hard work, cause nobody worked harder than my father. Sometimes it’s
just the life you’re dealt.” Jin, however, was determined to take control of
his own destiny and make a major impact in another, more creative way.
In the 8th grade, Jin started freestyling with friends in the school
cafeteria. Quickly catching the hip-hop bug, he started battling and
performing. “I battled any and everywhere possible. One time I was at a
movie theatre and I battled an employee in the bathroom.” Developing a
reputation as one of Miami’s most clever lyricists, Jin’s dreams of making
hip-hop a career still seemed distant. He was growing up alongside New
York’s early-1990s hip-hop renaissance – Nas, Wu-Tang Clan, Mobb Deep, Jay-Z
and Onyx were his favourites – but his day-to-day existence in a city better
known for Luke & 2 Live Crew seemed radically different from the urban
cityscapes captured by his favourites. When he had the opportunity to move
to New York City in October, 2001, he knew it was do-or-die: “I came up for
family reasons, but I figured that if I was gonna do the music thing, New
York was the place.”
Again, Jin dove headfirst into the city’s various scenes. “I was everywhere…
I hit the back-packer circuit, I hit the Times Square/42nd Street circuit,
which is all those
Jay-Z mini-me’s and Fabolous mini-me’s. I think you need that, you need to
be diverse like that.” Not limiting himself, Jin even battled over the
Internet to keep his skills fresh, and he cultivated a devoted following on
the Web that has today logged nearly seven million hits (check him out at
www.holla-front.com).
By early 2002, Jin was making noise, but he was still searching for his big
break. The weekly “Freestyle Fridays” battle on BET’s popular “106 & Park”
program had already turned him down once, but his manager, Kamel Pratt,
encouraged him to try again. He made the show in February, and he was ready.
“In a battle environment, the only thing that can intimidate me is myself,”
he explains. Unfazed by the in-studio audience (and millions more watching
at home), Jin treated “106 & Park” like any other battle. Knowing his
opponents would invariably focus on his identity as a Chinese-American in a
predominately African-American art form, he pre-empted them and came up with
some of the most creative retorts ever heard on the show, like “Yeah I’m
Chinese/Now you’ll understand it/I’m the reason your little sis’s eyes are
slanted/If you make one more joke about Chinese food or karate/The NYPD will
be searching Chinatown for your body.”
He consistently ripped through the competition and by March he had developed
a cult following. Through it all, he could still be found selling his own
CDs on the streets of the West Village or hanging out in Chinatown, which he
still does everyday.
Upon winning his seventh and final battle, he ceremoniously reached under
his sweatshirt and unveiled his new diamond-encrusted Ruff Ryders medallion.
“When I saw Jin on ‘106 & Park’ I was blown away by his performances”, says
Joaquin “Waah” Dean, co-CEO of Ruff Ryders. “There is no one in the game
right now like Jin; he is a very unique artist. After I met him, I knew that
he and Ruff Ryders was a good match”.
Jin has been greeted with a great level of interest and warm curiosity by
the press and anticipation for his debut album is high. He has already been
featured in Vibe, Elle Girl, Rolling Stone and The New York Times, among
other outlets.
For
the past year, Jin has been hard at work. He has done nearly 100 shows since
“106 & Park” and he auditioned for and landed a high-profile role in the hit
John Singleton film 2 Fast 2 Furious as the street-savvy mechanic Jimmy
(starring alongside Ludacris, Tyrese and Paul Walker); he also has a song on
the soundtrack. The creative rhymer has also been busy putting in work on
his debut, THE REST IS HISTORY. Album producers include Swizz Beats, Havoc
from Mobb Deep, Mark the 45 King, Mahogany and Wyclef Jean, who produced the
bangin’ lead single “Learn Chinese”. Whilst coming up with the idea for the
track, Jin bounced ideas around with Wyclef. Jin said "What's the big thing
everyone focuses on? I'm Chinese. So if that's what they want, we'll give it
to them". The track jokingly yet deftly plays with Asian American
stereotypes, showcasing his unrivalled flow. Simply put, Jin's got skills.
Jin stresses that it won’t be your typical, tired money-sex-drugs screed:
“The album is real conceptual, it might surprise a lot of people. There are
stories, experiences I had growing up… I got some imagination-station shit,
where I’m just losing my mind… there are also some party joints. But the
beauty is, even the club stuff is real conceptual, it’s not just your
standard shit.”
In his short time in New York, Jin has already signed onto one of hip-hop’s
most fabled crews and become a role model in the Asian-American community.
The hard work and dreams of his childhood put to good use, Jin hopes that
the writing and music on THE REST IS HISTORY will confirm that he truly does
belong with the greats. “This album is all Jin,” the artist concludes. “He
loves hip-hop, he’s a real person and he loves what he does.”
Related Links:
http://www.jinsite.com
::
http://www.ruffryders.com ::
http://www.virginrecords.com
|