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 Late Interview

interview 0173 added 27.01.04 words: Ghost technical: QED




So you’ve got the release of “International Rhyme Spittin” dropping in the next month on “Wolftown Recordings” we’ll talk about later in the interview, but I want to start from the beginning, when did you first get into Hip Hop, and what artists do you remember checking when you first started listening, and how did those artists influence you?

Late - International Rhyme SpittinI saw the video for ‘3 Buffalo Girls’ around 1982/1983. I thought the song was shit but the video was sick, with the graffiti and break-dancing. As soon as I saw that that’s when I started taggin and doin throw ups. At school High Timez, (a close friend and MC on our label), had family in New York so he used to get the Bambattaa Soul Sonic Force tapes and used to hit us off. I used to buy all the Electro’s, but when Ice T and Public Enemy came out that was it I was hooked. Back then Hip Hop was just Hip Hop, no pigeonholes, and no sub genres. You would buy Eric b & Rakim album one week, then the week after buy a NWA album. I brought it all From the Geto Boys to Just Ice to Da La Soul.

Those were the days, you know I sometimes miss the way it was back then, Hip Hop was just Hip Hop! So how did you transform from being just a listener to taking an active role in the culture, was there like a moment when you thought ok, I’m gonna go write some lyrics and become an emcee?

It was just a natural progression from buying records and wanting people to hear them. Playing on pirate radio doing club night promotions with Tricksta, DJ’ing in clubs. I was into the graffiti side of things as well as breakin’, so rapping was the only element of Hip Hop I hadn’t mastered. I started rapping in 1993 but didn’t really take it seriously until 1996 when we formed Villains and the label Wolftown Recordings. Rapping to me is expression thru a creative artfrom, just like DJ’ing, Graffiti & Breakin’. Now it’s my full time job!

So how did the wolftown thing come about? Did you just want to take care of business on your own? And who exactly is Wolftown, give us a breakdown of the crew…

We always had the vision of owning and running an independent record label as getting signed to a major label was never an option, as we knew the best way on how to promote ourselves and our music, what artwork would work etc. We were making music and just wanted to get it out there and start building. Our first release dropped in December 1999 after Wolftown Recordings was set up by myself and Tricksta fundamentally in 1996 but officially in May 1999 when we landed a distribution deal.


“...Nuff love to all the people that have hated on us you have gave us drive to do this even more...”

On the roster now (January 2004) we have got a whole bunch of talent ready to bust. There's "High Timez", he's been there since day one we all grew up together, "Jai Boo" she's rolled with us since the early nineties, The "Vicious Circle" mans who we met when TRICKSTA moved into a block of flats (the one pictured on the Villains 'Welcome To Wolftown' album), that's 10SHOTT, SIZE8, WAYNEY, CONMAN, LEE DEE, 10Shott and Conman are twin brothers Size8 and Wayney g are bothers and Lee Dee is their cousin then ya got DASS who's JAI BOO'S cousin, STAXX whose HIGH TIMEZ brother, Early B who is Jai boo's brother, plus whole heap of affiliate's waiting in the wings. In 2003 we also signed our first ever turntablist and mixtape DJ, DJ AMO for a CD release in 2004. We have known him since school too! So as you can see we roll tight. We also got Cee-Rock "The Fury" who is an artist from New York, who is like our American cousin and we also put a 12" from DL INCOGNITO from Canada (the video for DL Incognito 'Spit Forever 2' is rocking now on Channel U, text 671 to 89800).

So the crew roll’s deep then! I got a lot of respect for you guys cause you run your business correctly, and your on top of your game, how do you think that running your business so tight has helped you in terms of the music, on the Wolftown side of things, and for you as an artist, I think your feedback would go a long way to helping people thinking about setting up there own label’s, and explain what exactly It took for you to do it successfully….

LateYeah thanks its good to get props, on the business side its exactly that a business you have to work hard, but you have to enjoy what you are doing so it doesn't seem like work, we enjoy creating projects and seeing them come together. At the end of the day we don't do any thing else it's a full time job from recording, performing, promoting, righting the magazine, making videos doing the websites running the label looking after all the artists the list goes on and on. I think its very hard for people who are coming in this game who have got a full time job to do this cause we do this from the minute we get up to the minute we go to bed that's why Wolftown mans smoke excessive amounts, but then again if you aint got a job its an expensive game to get into. You have gotta want to do this, its gotta come from the heart and you have to make sacrifices I was in the studio Christmas eve until 2am recordings cause I was offered the studio time.

Yeah I agree, it’s hard, people don’t know how hard it can be, but if your dedicated….. So I guess you might have been down the studio recording your solo E.P!? Which is called “International Rhyme Spittin” and is due for release any time now, tell us about the EP, who’s on it, and what you wanted to get across with this release. I wanna know your inspiration for putting the whole package together….

Nah I was working on some new shit, the INTERNATIONAL RHYME SPITTIN EP is finished and pressed up and ready to hit the shops in February, its 9 tracks long, but the last track is over 22 minutes long and has 50 mc's on it, it’s more like an album that a E.P, we like to give our fans value for money. It features. Valu, Daddy Ash, Cipher Jewels, Oshin AKA Nomad, Kripsy, Doyen D and DJ Amo, K Rino, Problem 13, Kuwait and Miami Mac, SD3, Lyrical Lizzard, Coole High, Lil DVS, Cee Rock 'The Fury', High Timez, Concept & Undefined from Crisis Center Pro, Mr. D.O.G, Pique/PQ, 10Shott & Size8 from Vicious Circle, Musical Sniper, Ceaser, Antidote & Genie from Thee Absent, P.A.C, Creamo, B Sharp, Wayney G, Conman, Bullet, Khevlar, Arjay, D'Veezion, Jai Boo, L.O.V.E. Allah, Eastborn, Eddie Crew & Kool Aid from The Pro Shoppe, Xeno, Kidd X, Spesh K, Dyce, Lee Dee, Lord Roc, TA Guerreo, Meres, Dass, Staxx, HKB Finn, Taa Hum, Ca$hino, D'Black, Early B and Tricksta


“...It’s sad there’s all these artists in the UK making all this quality music and we haven’t even got a 1 hour show on radio 1...”

What I've done on this project is collaborate with people on the independent scene from all over the world. As I’m into all different styles of Hip Hop so that's what I’ve done. On this project I took it back to when Hip Hop was Hip Hop and not segregate the different styles, I’ve embraced it, with artists from the East coast, West coast, Midwest, Northwest, Dirty South, UK, Jamaica, Canada, France and more, it's a dream come true working with people who's music I listen to. People might hate and say "Hows that LATE’s E.P if he's got guests on every track" but it's a concept I wanted to do and I’ve done it, and it came out exactly how I wanted it, I’m very pleased with it. No one has ever done a project like this before and if your not feeling it ya gotta ask your self are you really into Hip Hop. It's produced by Tricksta & Pez and they've smashed the beats, Tricksta knew exactly what type of beats I needed for each track. It's a project I want to keep going as well as recording new WOLFTOWN COMMITTEE material and my own solo album as well as loads of other projects.

So how long did the whole thing take to record from beginning to end?

LateWe started recording it while we was recording the Wolftown Committee album Legendary Status, it all came together in about a year, but that wasn't the only project we was working on, the posse track alone took 3 weeks to mix down. If we had just been doing that project it would of taken about 3 to 4 months, we’ve always got about 10 things on the go in the studio. We wanted to release in November last year but we’ve decided to wait until Feb 2004 cause of all the Christmas crap that comes out like like, "Now that's what I call shite music 709" But we’ve had it available to buy on the website since December and its going really well.

You know there probably past that volume of now that’s what I call music! Aight cool make sure people go check the website and watch out for the full release. I wanted to ask you about the Hip Hop scene in the Midlands, how’s things going up there right now, and how do you feel about the scene in the UK right now, do you feel it’s segregated between North and South, or London and not London, I always hear a lot of chat about this so called divide, what’s your take on it?

The problem is most things are in London like radio stations like Itch Fm, Xfm, Bassline fm, Kiss fm, etc, Pressing plants, Major labels, Records shops that sell mainly Hip Hop, U-music, club nights the list goes on but its only 2 hours away so it ain't that much of a problem what we miss out on is the opportunities to network. I suppose there’s a few people that think anything passed Watford is the country side But that's what New York mans used to think about the west coast and dirty south. The midlands has got a healthy scene there’s a lot of crews doing there thing and releasing good music, there quite a few regular club nights to go to, shops like Profyle Urban Clothing in Wolverhampton who are backing UK Hip Hop (IF YA GOT AN ALBUM COMING OUT CHECK THEM OUT THEY WILL SELL YOUR CD'S). The thing about not livin in London is that you can get more focused and not get caught up with all the politics also its not hassle to park ya car and ya can get good weed and a ya can get a pint for 99p. People love to just segregate things, its all Hip Hop.

No doubt about the segregation, but you know at Itch we always support all homegrown talent where ever it originates from. How do you feel the UK scene is doing now, in 2004. And is there anything you would like to see happen to help the artists currently involved and to help those wanting to become involved?

Of course we know ITCH fm is backing it we cant wait to get back up there and do another show, The scene is looking good, A few cats have jumped on the bandwagon now garage is done buts that's all cool, majors still don't know what to do with us yet but were getting there as soon as they see us selling some big numbers they will soon want a cut. But they gotta realise they cant sign artists they gotta sign labels, we’re street mans they cant handle us. I would love to see some middle class man who knows nothing about our lifestyle try and tell our artists what to wear and what to do in a video, that shit that would be funny as they have no concept how this Hip Hop thing works, and how certain things can finish your career and your whole credibility. We’ve got an industry that is building now with things like ITCH fm, U-music, RAGO MAGAZINE, Undercover magazine we just need some investors, U-music has come along and blew MTV Base out of game, that shows that peeps want this UK Hip Hop music.


“...A few cats have jumped on the bandwagon now garage is done buts that's all cool, majors still don't know what to do with us ...”

But we still got a long way to go, for example most radio DJ's are only playing Hip Hop that works on the dance floor, but there is a lot of Hip Hop that is home listening music and for the walkman or car which is heavy and that shit doesn't get no play, which doesn't happen in other genres like indie music, pop music, rock music, etc.. artists like Coldplay can make a track that's depressing as fuck and they will play that shit on the radio and TV and it charts, UK Hip Hop only gets play if it's a club tune. Its like there trying to silence Hip Hop where people have got opinions on things and just push r&b style rap. I’ve got nothing against r&b but that ain't the be all of Hip Hop. It’s sad there’s all these artists in the UK making all this quality music and we haven’t even got a 1 hour show on radio 1, we got 1xtra I suppose but that's a few years from being in everyone’s yard. It’s hard to believe but not everyone got satellite and a computer yet but its getting there.

That’s some good thoughts, I appreciate you dropping some knowledge on these subjects, you know Ghost likes to get into deep into such topics. So what’s the forthcoming plans for Late, and for the full Wolftown crew for the next year and beyond?

LateWell I got the INTERNATIONAL RYHME SPIITIN EP out February so I will be out on the road promoting that, I got my Underground Exposure mixtape series too. I've just finished volume 5. Tricksta does UK RUNNINGS and I do Underground Exposure which exclusives from freestyles and bootleg mixes from UK & USA artists you can get them from our websites www.wolftownrecordings.com & www.ukrunnings.com And on Wolftown bwoy. there whole heap of things happening. We got Canadian MC "DL INCOGNITO" whose got a 12 inch "Spit Forever 2" out now. You can check out the video to that on U-Music by texting 671 to 89800. Then we have the long awaited CEE-ROCK"THE FURY" album "Bringin the Yowzah", which is coming soon to. We got the label's first ever mix-album by the talented DJ AMO album coming, 10shott from Vicious Circle and Wolftown Committee is working on his EP with Birmingham producer JT, as well Dass working on his EP the 'Dass Roots EP'. We've just had a track used in an American porn film called 'Phatazz Volume 5' and just had a track licensed to Bushwick Bill's new compilation 'Different Styles Organisation'. we are just about to launch www.fileunderrHip Hop.com too. check for that.. I could go on for ever and ever here, I really could. but for up-to-date info ya just gotta keep checking the website.

RAGO Magazine is going to be doing a lot of damage in 2004 also. We have RAGO Magazine Issue 6 also that is on road now. With a whole bunch of superb interviews and features. Phife Dawg, Bushwick Bill, LATE, DL Incognito, Cee-Rock "The Fury", Wolftown Committee, Crisis Center Pro, Kuwait, Mister Marlon, DJ Amo, D.A, UTI Records, Independent Hype DVD series, C.O.V, Black Britannia, Profyle Urban Clothing and more, plus all the regular singles, mixtape, album and DVD reviews. Issue 7 is currently being written and has got some sick stuff in it. The new website for RAGO Magazine is www.ragomagazine.com so be make to check that out. Any man on independent labels need to get 2 copies of their stuff over, it's essential! We support the underground and our prices are super cheap street prices. Plus we are the only magazine in the UK that is 100% Hip Hop and it's FREE! UK readers can grab a copy of this magazine FREE by sending in a 40 pence stamped self addressed envelope to RAGO Magazine, FREE Copy, PO Box 1668, Wolverhampton, West Midlands, WV2 3GW. Overseas customers are advised to contact us at info@wolftownrecordings.com.

Cool, well It’s been a pleasure as usual, I gotta big you up for doing the interview, and big up Tricksta and the whole Wolftown Crew, Is there anything else you wanna add, any shout out’s etc…..

Big up yourself and respect for asking questions that I've enjoyed answering,

When we gonna do a collaboration???

Just big up all the Wolftown mans, Wolftown affiliated members and everyone that has supported Wolftown over the last few years, Nuff love to all the people that have hated on us you have gave us drive to do this even more. Big up all the artists that represented on the "International Rhyme Spittin ep" they have all got projects out so check them out, Keep checking our websites for all the latest info
on Wolftown and all its artists.

LATE..

- Ghost


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