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Manage interview by Chris ByrneManage Interview

interview 0276 added 31.01.05 words: Chris Byrne & Syanyde1 technical: QED




Manage from South London is a man with a reputation on the UKHH scene for not pulling any punchlines. With a couple of releases under his belt and collaborations with the likes of Natty and Dwella, Dark Circle etc this freestyle fanatic family man lets us in on the latest:

Who are you, how long have you been involved in music & where are you from?

I'm Manage. One part of the Suicide Farm, also a member of Expect No Mercy and affiliated with many. I've been in the game since '99, that's when I first recorded a track. I was spitting before that but it was never like a path I was leading on for full time, it was just something we did.. A hobby ..a way of socialising with each other. I'm from South East London. New Cross is my home right now but I've lived all round South East, Peckham, Brockley, East Dulwich etc.

How much does living in South London have an influence on your music?

I think it influences it maybe too much. Its' very hard to escape the normality of what's accepted here as day to day living unfolds, so when peeps pigeon hole me as grimey...or dark, or raw .. I am purely a product of inner-city life and what I see around me as well as other mediums such as TV, radio, friends etc but the main influence on anyone's art is what they live with everyday Saying that, I find myself filtering some of the stuff I'm influenced by to be accepted in the modern hip hop scene . I mean whenever a UK rapper spits about guns or crack then they're accused of being fake or attempting to sound American.

But the fact is if you're from the inner-city of the UK chances are you are very aware of guns and drugs around you. There was a month towards the end of last year where I saw 2 shootings outside my window and heard about a girl in my block being raped, a woman being stabbed to death in the block opposite. Some of the people I have spent time with and built relationships with are hooked on crack. It is a very real issue but I kinda filter it to avoid the accusations of falsehood.

There's been a lot of focus by the media lately on "urban" music, Hip Hop especially and it's supposed relation to gun crime and drugs, do you think this is justified?

Ok, urban music would be black music I guess. First of all I hate this tag "urban" people act like there isn't heavy metal, indie, jazz, funk and so on being made in the city . The link between drugs, guns and "urban " music is bullshit . I mean for fuck sake people been taking drugs and killing each other since time began. Only now its another great form of oppressing the people that speak about it. There we are again back to the product of environment. We are bombarded with films of terminators n all the rest with unlimited guns killing half of New York... and these films are aimed at the youth, and the fashionable music for a majority of youth today happens to be the biggest music in the world "Hip Hop"... on the law of averages itself out of all them millions of kids there's bound to be some drug taking and some violence... like every pop culture before it.


"...Fans from the 80's seem to treat hip hop more as a lifestyle and a movement, while the jiggier rap fans of nowadays seem to be caught up in fashion too much..."

The underlying message of Rise Up is very political. With a lot of people feeling disenfranchised and let down by both politicians and the general state of politics across the world, what do you think needs to be done so this country and the world as a whole, can move forward?

Hahaha ... OK. This is hard, the answer for world peace? It's like every different set of power that can rise is gonna be as twisted as the last and even if they rise with good intentions that soon flies out of the window when they realise they need to balance the books. Like, I can state the obvious, we all know what George Bush did was messed up. He's not fooling everyone, there's some blind patriots following him but on a whole I think the world knows what's going on there. And I also notice how the world only decided to help after a natural disaster etc. or at Christmas time when they reflect. But in all honesty as humanity the only way we can be free is for everyone to be equal. But, I cant see it happening so I guess the struggle for power in every life situation has replaced the notion of discovery and freedom within life. Depression is at a all time high, maybe we're in an era of realisation, people seem to be asking questions more now... time evolves as humans evolve... maybe we grow wiser, or maybe we carry on being manipulated. But we wont taste freedom unless we all are prepared to stand up for it.

The war on terror seems to have brought with it losses to civil liberties, both with the Patriot Act in America and the Civil Contingencies Bill in the UK, do you believe these restrictions are for the benefit or to the detriment of society in the long run?

Mr Manage interview by Chris ByrneWe adapt. That's what evolving is about, from what we're told the extra scrutiny upon the Asian communities and low income neighbourhoods is to stomp out the threat of terror attacks. So it's like they shake ya hand with one hand and stab you in the back with the other. So I'm not sure if they will do either... they will just change how we live, and we will adapt like we always do. Then they will change the rules again and the cycle continues. It's kinda funny they're cutting incapacity benefit for the mentally ill, now a large number of the mentally ill are people with depression... depression caused by social un-acceptance. I feel like shit that I don't work for a living,but then again why the fuck should I? It's my life after all, and if I wanna sit round in me boxers till 5 pm, then I'll do that and say fuck the normality you try and push on me.

OK, back to the music. Being involved in music for as long as you have, you've obviously encountered resistance. What advice would you give to these heads starting out that feel like the industry is trying to lock them off?

The industry is breakable... the proof of this is best of late. Get your mix CD's together and hit the streets... you don't need no henched off budget to get into this industry. I mean SkinnyMan for example, one of the UK's most prolific and well known Hip Hop artists made a name from touching open mics 'n stages without even having a deal or bare tracks out for sale n all the rest. You can break this industry by force, by making them pay attention to you. If everyone on road is feeling your shit and talking bout you then the industry media etc. can't hide and I don't even think they wanna block you. A lot of UK media peeps I speak to are safe and are more than ready to help you if ya shit's tight. There are inner circles though that need to be watched for, I'm not gonna name any names but certain DJ's always seem to play a select few and not give love on a broader scale I give props to Disorda here... no matter who you are...if ya tight he will play your music don't matter if ya friends with him or not or you met a few times in the club and what not. So believe me it is breakable by creating your own scene and buzz, then you cannot be denied. If the quality of ya music isn't up to much but ya flow n rhymes are sick... then find a producer who got a good sound. Advertise yaself by hittin' open mics... get on peeps mix CD's, feature on tracks. The future isn't written and it's all there for the taking.

What are the shocking lyrics that you performed that may have to be censored from even the dirty version of the forthcoming Blufoot album?

This is the first I have heard of some sort of censorship on the Blufoot album but it might be the stuff about Holly and Jessica.

Is there a difference between hip hop fans who have known and loved the music since the 80's and those who only know the jiggified MTV version?

Yeah there’s a big difference. Fans from the 80's seem to treat hip hop more as a lifestyle and a movement, while the jiggier rap fans of nowadays seem to be caught up in fashion too much. Both groups are fans nonetheless and support the music.

Is UKHH in general hostile towards major labels?

Yes, because major labels sleep on UK acts too often. You would of thought after 17 years or so they would be backing us.


"...In an ideal world there should be legislation for 60% of music played on the radio to be home-grown talent..."

How should the government support upcoming artists in an ideal world?

In an ideal world there should be legislation for 60% of music played on the radio to be homegrown talent. There should be channels devoted to music from UK, more education on the music business available etc.

Why is there such little music on UK TV?

On Sky Digital there is a lot of music – but not so much UK music though Channel U is supporting UKHH.

OK, what's in the future for Manage? Releases shows etc. and is there any shout outs you wanna make?

Booooy... I got plans... and my plans change constantly. If I'm honest I just wanna make as many sick tracks and record with as many sick people as possible. I'd love recognition and props for what I do but if not I'll still be here sucker punching chumps where it hurts. Speakers corner is the night, Snuff my DJ and myself are running, check it. Shout outs to so many, in order to not disrespect anyone I'll leave the names blank..... shouts to my fam you know who you are.

Anything you would like to add?

Mr Manage and King Kaiow EP coming soon!!! Deal Real, Carnaby Street- Open Mic sessions every Friday!

- Chris Byrne & Syanyde1
 



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